Mireille Bérrard

Galerie des Gouaches

 

2ème ballade de Chopin2ème ballade de Chopin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"2ème ballade"
de Chopin
Dim : 65 x 50

2ème Sherzo, sib min. de Chopin2ème Sherzo, sib min. de Chopin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"2ème Sherzo, sib min."
de Chopin
Dim : 65 x 50

Capriccio Italien de TchaïkovskyCapriccio Italien de Tchaïkovsky
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Capriccio Italien"
de Tchaïkovsky
Dim : 65 x 50
Danses villageoises de ChabrierDanses villageoises de Chabrier
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Danses villageoises"
de Chabrier
Dim : 65 x 50
La Chaconne de J.S BachLa Chaconne de J.S Bach
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"La Chaconne"
de J.S Bach
Dim : 65 x 50
Sonate opus 58 de ChopinSonate opus 58 de Chopin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Sonate opus 58"
de Chopin
Dim : 65 x 50
Le Boléro de RavelLe Boléro de Ravel
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Le Boléro"
de Ravel
Dim : 65 x 50
Le Carnaval Romain Le Carnaval Romain
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Le Carnaval Romain "
de Hector Berlioz
Dim : 65 x 50
Passion selon St Jean de J.S Bach Passion selon St Jean de J.S Bach
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Passion selon St Jean"
de J.S Bach
Dim : 65 x 50
Prologo, Pagliacci  de LéoncavalloPrologo, Pagliacci de Léoncavallo
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Prologo, Pagliacci"
de Léoncavallo
Dim : 65 x 50
Rapsodie espagnole de RavelRapsodie espagnole de Ravel
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Rapsodie espagnol"
de Ravel
Dim : 65 x 50
Roméo et Juliette de TchaïkovskyRoméo et Juliette de Tchaïkovsky
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Roméo et Juliette"
de Tchaïkovsky
Dim : 65 x 50
La Flûte enchantée de MozartLa Flûte enchantée de Mozart
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"La Flûte enchantée"
de Mozart
Dim : 65 x 50
Un Américain à Paris, Gerswhin Un Américain à Paris, Gerswhin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Un Américain à Paris"
de Gerswhin
Dim : 65 x 50
Ouverture de la Flûte Enchantée"Ouverture de la Flûte Enchantée" / "Mozart"
Technique mixte sur papier (50x65) 1991
Majesty, brilliance. Apside of baroque chapel. A Mozartian atmosphere, magical and esoteric (initiation key in E Falt Major). Freemason Symbolism of the number 3 - the first 3 chords announce a melodic development resuming the 1st act: 3 columns supporting an architrave of golden signs. Then follow 3 groups of 3 chords (9 "colonettes") announcing the outcome of the 2nd act; a blue dome crows the triumph of light over darkness.

"Ouverture de la Flûte Enchantée"
de Mozart
Dim : 65 x 50
Dialogue du Vent et de la Mer"Dialogue du Vent et de la Mer" / "Debussy"
Technique mixte sur papier (50x65) 1979
3rd part of "La Mer" by the well-known composer; a metaphor of echoing opposition between the elements.

"Dialogue du Vent et de la Mer"
de Debussy
Dim : 65 x 50
Danses Roumaines"Danses Roumaines" / "Bela Bartök"
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.

"Danses Roumaines"
de Bela Bartök
Dim : 65 x 50
Prélude Opus 28 No24 Ré Mineur"Prélude Opus 28 No24 Ré Mineur" / "Chopin"
Technique mixte sur papier (56x76) 1999

"Prélude Opus 28 No24"
de Chopin
Dim : 65 x 50