 "Couleurs de la Cité Céleste" / "Olivier Messiaen"
Technique mixte sur papier (51x73) 1979
Resounding mass ascending in curves (red, purple, violet and blue) converging towards the red star of life.
"Couleurs de la Cité Céleste"
"Olivier Messiaen" |
 "Danses Roumaines" / "Bela Bartök"
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.
"Danses Roumaines"
"Bela Bartök" |
 "3e Concerto Brandebourgeois en Sol Majeur" / "J.S. Bach"
Technique mixte sur papier (51x73) 1981
Vertical constructions progressing in dots and lines forming a staircase and ladder steps. A mystical, confident and fervent gladness of G Major symbolised by the cherry red colour.
"3e Concerto Brandebourgeois en Sol Majeur"
"J.S. Bach" |
 "Le Boléro" / "Ravel"
Technique mixte sur papier (50x65) 1983
A bewitching and magical red and gold spiral; harsh and black beating of the drum.
"Le Boléro"
"Ravel" |
 "Syrinx" / "Debussy"
Technique mixte sur papier (50x65) 1983
A golden diagonal of the flute diffusing bitter tones of tyrian pink.
"Syrinx"
"Debussy" |
 "Dialogue du Vent et de la Mer" / "Debussy"
Technique mixte sur papier (50x65) 1979
3rd part of "La Mer" by the well-known composer; a metaphor of echoing opposition between the elements.
"Dialogue du Vent et de la Mer"
"Debussy" |
 "La Bourrée Fantasque" / "Emmanuel Chabrier"
Technique mixte sur papier (30x42) 1991
Hopping and hammering of the "Auvergnat" clogs; mischievous frolicking - dazzling and vigorous tones.
"La Bourrée Fantasque"
"Emmanuel Chabrier" |
 "Ouverture de la Flûte Enchantée" / "Mozart"
Technique mixte sur papier (50x65) 1991
Majesty, brilliance. Apside of baroque chapel. A Mozartian atmosphere, magical and esoteric (initiation key in E Falt Major). Freemason Symbolism of the number 3 - the first 3 chords announce a melodic development resuming the 1st act: 3 columns supporting an architrave of golden signs. Then follow 3 groups of 3 chords (9 "colonettes") announcing the outcome of the 2nd act; a blue dome crows the triumph of light over darkness.
"Ouverture de la Flûte Enchantée"
"Mozart" |
 "Ouverture de Don Giovanni" / "Mozart"
Technique mixte sur papier (56x76) 1991
The first 2 black chords of the overture situate the drama and its inevitable conclusion - Death - Commander's theme - sonoroustide of the orchestra coming in and overflowing. Don Giovanni's theme - red and gold flowery clusters.
"Ouverture de Don Giovanni"
"Mozart" |
 "Un Américain à Paris" / "Gerswhin"
Technique mixte sur papier (56x76) 1994
Balancing rhythm from right to left along the Parisian pavements - Red flashes of horns, flashing lights, noises from the feast, enjoyment of life.
"Un Américain à Paris"
"Gerswhin" |
 "Manhattan la nuit" / "New York"
Technique mixte sur papier (56x76) 1995
"Manhattan la nuit"
"New-York" |
 "Orage" / "Franz Liszt"
1ere Année de Pélerinage Technique mixte sur papier (56x76) 1996
Violent contrasts; upward and downward virtuosity of chords and arpeggiated chords. Dark blue harmony.
"Orage"
"Franz Liszt" |
 "1 ère Ballade Opus 23" / "Chopin"
Technique mixte sur papier (56x76) 1999
"Rêverie et Passions".
"1 ère Ballade Opus 23"
"Chopin" |
 "2e Ballade Opus 38" / "Chopin"
Technique mixte sur papier (56x76) 1999
"2e Ballade Opus 38"
"Chopin" |
 "Polonaise Opus 33" / "Chopin"
Technique mixte sur papier (56x76) 1999
"Polonaise Opus 33" |
 "Prélude Opus 28 No24 Ré Mineur" / "Chopin"
Technique mixte sur papier (56x76) 1999
"Prélude Opus 28 No24"
"Chopin" |
 "1 ère Ballade Opus 23 en Sol Mineur" / "Chopin"
Technique mixte sur papier (56x76) 1999
"1 ère Ballade Opus 23 en Sol Mineur"
"Chopin" |
 "Étude Opus 25 No12" / "Chopin"
Technique mixte sur papier (56x76) 1999
"Études Opus 25 No12"
"Chopin" |
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