Roméo et Juliette le Convoi de Berlioz
(76x56) 1988
"Roméo et Juliette le Convoi"
de Berlioz Dim : 76 x 56
Un Américain à Paris de Gerswhin
(65x50) 1980
"Un Américain à Paris"
de Gerswhin Dim : 65 x 50
Setp Haï Kaï de Messiaen
(65x50) 1979
"Setp Haï Kaï"
de Messiaen Dim : 65 x 50
2ème ballade de Chopin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "2ème ballade"
de Chopin Dim : 65 x 50
2ème Sherzo, sib min. de Chopin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "2ème Sherzo, sib min."
de Chopin Dim : 65 x 50
Capriccio Italien de Tchaïkovsky
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.La Chaconne de J.S Bach
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "La Chaconne"
de J.S Bach Dim : 65 x 50
Danses villageoises de Chabrier
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.Sonate opus 58 de Chopin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "Sonate opus 58"
de Chopin Dim : 65 x 50
Le Boléro de Ravel
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "Le Boléro"
de Ravel
Dim : 65 x 50
Passion selon St Jean de J.S Bach
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "Passion selon St Jean"
de J.S Bach
Prologo, Pagliacci de Léoncavallo
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "Prologo, Pagliacci"
de Léoncavallo Dim : 65 x 50
Le Carnaval Romain
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth.Rapsodie espagnole de Ravel
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "Rapsodie espagnol"
de Ravel
Dim : 65 x 50
La Flûte enchantée de Mozart
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth."Ouverture de la Flûte Enchantée" / "Mozart"
Technique mixte sur papier (50x65) 1991
Majesty, brilliance. Apside of baroque chapel. A Mozartian atmosphere, magical and esoteric (initiation key in E Falt Major). Freemason Symbolism of the number 3 - the first 3 chords announce a melodic development resuming the 1st act: 3 columns supporting an architrave of golden signs. Then follow 3 groups of 3 chords (9 "colonettes") announcing the outcome of the 2nd act; a blue dome crows the triumph of light over darkness. "Ouverture de la Flûte Enchantée" de Mozart
Dim : 65 x 50
Un Américain à Paris, Gerswhin
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth."Dialogue du Vent et de la Mer" / "Debussy"
Technique mixte sur papier (50x65) 1979
3rd part of "La Mer" by the well-known composer; a metaphor of echoing opposition between the elements. "Dialogue du Vent et de la Mer" de Debussy
Dim : 65 x 50
"Danses Roumaines" / "Bela Bartök"
Technique mixte sur papier (50x65) 1980
Two rows - the red one being the ladie; their feet hammering out the rhythm. - the black one being the men; a rhythmical balancing of the body. The red ocre - the earth. "Danses Roumaines" de Bela Bartök
Dim : 65 x 50
"Prélude Opus 28 No24 Ré Mineur" / "Chopin"
Technique mixte sur papier (56x76) 1999 "Prélude Opus 28 No24" de Chopin
Dim : 65 x 50
